Bibliography
Works Cited
Ballinger, Adriana, and Tori Champion. “Jasmine: The Sensual and the Sacred.” Plant Humanities Lab, Dumbarton Oaks, https://lab.plant-humanities.org/jasmine.
Benítez-Rojo, Antonio. The Repeating Island: The Caribbean and the Postmodern Perspective. Duke University Press, 1996.
Buchanan, Ashley. “Peony: Pretty and Powerful.” Plant Humanities Lab, Dumbarton Oaks, https://lab.plant-humanities.org/peony.
Cliff, Michelle. Abeng. The Crossing Press Feminist Series, 1984.
—. No Telephone to Heaven. 1987. Vintage International, 1989.
DeLoughrey, Elizabeth M., et al. Caribbean Literature and the Environment: Between Nature and Culture. University of Virginia Press, 2005.
Freed-Thall, Hannah. “Thinking Small: Ecologies of Close Reading.” Modernism and Close Reading, edited by David James, Oxford University Press, 2020, pp. 228-242. Oxford Academic, https://doi.org/10.1093/oso/9780198749967.003.0012.
Glissant, Edouard. Caribbean Discourse: Selected Essays. Translated by J. Michael Dash, University Press of Virginia, 1989.
—. Poetics of Relation. Translated by Betsy Wing, University of Michigan Press, 1997.
James, Erin. The Storyworld Accord: Econarratology and Postcolonial Narratives. University of Nebraska Press, 2015. JSTOR, https://doi.org/10.2307/j.ctt1d9898m.
Kincaid, Jamaica. A Small Place. 1988. Picador, 2025.
—. Lucy. 1990. Picador, 2025.
—. My Garden (Book). Farrar Straus and Giroux, 1999.
Landow, George P. Hypertext 2.0. Johns Hopkins University Press, 1997.
Morgan, Philip J., et al. Sea and Land: An Environmental History of the Caribbean. Oxford University Press, 2022. Oxford Academic, https://doi.org/10.1093/oso/9780197555446.001.0001.
Posner, Miriam. “What’s Next: The Radical, Unrealized Potential of Digital Humanities.” Debates in the Digital Humanities, edited by Matthew Gold and Lauren Klein, University of Minnesota Press, 2016, https://dhdebates.gc.cuny.edu/read/untitled/section/a22aca14-0eb0-4cc6-a622-6fee9428a357#ch03.
Rhys, Jean. Voyage in the Dark. 1934. Penguin Classics, 2019.
Tiffin, Helen. “Cold Hearts and (Foreign) Tongues: Recitation and the Reclamation of the Female Body in the Works of Erna Brodber and Jamaica Kincaid.” Callaloo, vol. 16, no. 4, 1993, pp. 909–21. JSTOR, https://doi.org/10.2307/2932217.
Tinsley, Omise’eke Natasha. Thiefing Sugar: Eroticism between Women in Caribbean Literature. Duke University Press, 2010.
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Works Consulted and Suggestions for Further Reading
Brockelman, Thomas P. The Frame and the Mirror: On Collage and the Postmodern. Northwestern University Press, 2001.
Burgess, Helen J., and Jeanne Hamming. “New Media in the Academy: Labor and the Production of Knowledge in Scholarly Multimedia.” Digital Humanities Quarterly, vol. 5, no. 3, June 2011. https://dhq-static.digitalhumanities.org/pdf/000102.pdf.
Dillon, Elizabeth Maddock, and Kate Simpkins. “Makandal and Pandemic Knowledge: Literature, Fetish, and Health in the Plantationocene.” American Literature, vol. 92, no. 4, Dec. 2020, pp. 723–35. Duke University Press, https://doi.org/10.1215/00029831-8780935.
Elkins, Amy. Crafting Feminism from Literary Modernism to the Multimedia Present. Oxford University Press, 2022.
Gikandi, Simon. Writing in Limbo: Modernism and Caribbean Literature. Cornell University Press, 1992. JSTOR, https://www.jstor.org/stable/10.7591/j.ctt207g6bv.
Gosser Esquilín, Mary Ann. Culture, Nature, and the Other in Caribbean Literature: An Ecocritical Approach. Cambria Press, 2023.
Hoving, Isabel. Writing the Earth Darkly: Globalization, Ecocriticism, and Desire. Lexington Books, 2017. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/luc/detail.action?docID=4791058&pq-origsite=primo.
Landow, George P. Hyper/Text/Theory. Johns Hopkins University Press, 1994.
Odin, Jaishree K. “Collage Aesthetics, Hypertext, and Postcolonial Perspectives.” Genre, vol. 41, nos. 3–4, Sept. 2008, pp. 83–104. Duke University Press, https://doi.org/10.1215/00166928-41-3-4-83.
Reiss, Timothy J. Against Autonomy: Global Dialectics of Cultural Exchange. Stanford University Press, 2002.
Salter, Anastasia, and Stuart Moulthrop. Twining: Critical and Creative Approaches to Hypertext Narratives. Amherst College Press, 2021. ACLS Humanities EBook, https://doi.org/10.3998/mpub.12255695.
Tobin, Beth Fowkes. Colonizing Nature: The Tropics in British Arts and Letters, 1760-1820. University of Pennsylvania Press, 2005. JSTOR, https://www.jstor.org/stable/j.ctt3fhw17.
Images
Brunias, Agostino. View on the River Roseau, Dominica. 1770-80. Art Institute of Chicago. https://www.artic.edu/artworks/79037/view-on-the-river-roseau-dominica.
Carolina moth with fruit resembling custard apple. 1731. Wellcome Collection. JSTOR, https://www.jstor.org/stable/community.24749617.
Homer, Winslow. Hurricane, Bahamas. 1898. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/11124.
Oller, Francisco. Hacienda Aurora. 1898. Museo de Arte de Ponce. Smarthistory, https://smarthistory.org/wp-content/uploads/2023/01/Hacienda-Aurora.jpg.
—. Hacienda La Fortuna. 1885. Brooklyn Museum. Smarthistory, https://smarthistory.org/wp-content/uploads/2023/01/Oller-Foruna-better.jpg.
—. Landscape with Royal Palms. 1897. Ateneo Puertorriqueño. Smarthistory, https://smarthistory.org/wp-content/uploads/2019/10/display_image-300x398.jpeg.
—. Still Life with Coconuts. 1893. Obelisk Art History, https://www.arthistoryproject.com/artists/francisco-oller/still-life-with-coconuts/.
Prinssay, Jenny. View of a bay on the island of Martinique. 1814. Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Jenny_Prinssay_-View_of_a_bay_on_the_island_of_Martinique(1814).jpg.
Sinclair, Francis, and Leighton Brothers. An hibiscus flower (Hibiscus arnottianus): flowering stem. 1887. Wellcome Collection. JSTOR, https://www.jstor.org/stable/community.36643534.